malepatternboldness2

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Friday, December 23, 2011

Is Fashion In a Rut?

Posted on 4:38 AM by dvdsvdsdv


Readers, do you think fashion is in a rut?  I ask, having just read a very thought-provoking article by Kurt Anderson in the January 2012 issue of Vanity Fair, entitled "You Say You Want a Devolution."

It's a longish article, but the basic thrust of Anderson's argument is that the evolution of (Western) style -- fashion, architecture, interior design, even music -- has been slowing, so much so that very little change has taken place in the last twenty years.  Examples: jeans, tee shirts, and sneakers reigned in the early 90's (and arguably before) and they're still king; Madonna then, Lady Gaga channeling Madonna now.

One point he makes is that if you were to compare the styles of the 1930's with those of the 1950's (a twenty year span), you'd see radical change.





Same goes with comparing the 50's to the 70's, or the 70's to the 90's.





Since the 90's however, according to Anderson, change has been less dramatic.  He cites a number of reasons for this: change-related fatigue, economic slowdown in Western economies, and nostalgia, among others.

His point about fashion rings true.  If you saw these early 90's teens (the original 90210 cast) at the mall today, would they look terribly out of place (as strange as, say, a 50's teen would have looked 70's)?  I don't think so.



Does Julia Roberts in Pretty Woman, a film now more than twenty years old, look as dated to us today as early-60's teen Patty Duke would have in the late 80s?





I agree that clothing styles are evolving more slowly and I attribute a lot of it to economics -- it costs big bucks to radically alter silhouettes every few years -- and to a general weakening of authority in all areas of life.  I believe most Americans, at least, are unwilling to have styles dictated to them the way they were, say, in the 1950's, a time when Authority was more widely respected.  Once people felt freer to make their own choices (from a wider variety of options), dressing primarily for comfort for example, most women were unwilling to go back to girdles and stockings or, in the case of men, ties and hats.

The Mad Men look is cute but I'll keep my jeans.



There were also huge social changes in the first three-quarters of the Twentieth Century resulting from female emancipation, the Great Depression, two world wars, rapid suburbanization, the Pill, anti-war and civil rights protests, feminism, Watergate -- and fashion reflected this.  Once the pace of change started to slow down, along with Reagan-era nostalgia for the halcyon days of Leave it to Beaver, so did change in fashion.  


More recently, the emergence of global fashion corporations like LVMH means that the bottom line is THE top priority: a companies' first loyalty is to its stockholders.  Quality suffers but quarterly (quarterly being the term that matters most) profits go up.  So instead of coming out with radically new styles, we get "luxury" handbag fads and wacky shoes that require a lower level of investment and produce higher profit margins. 



Finally -- and this is a point Anderson makes in his article -- the Internet allows us to draw from the past much more easily than before.  We now have a library of past styles we can access 24/7.  For example, we vintage sewers can choose the decade we like best and recreate it, even using the original patterns (easily found on Etsy and eBay), original styling (just Google "New Look" or "20's flapper") and makeup (there are thousands of vintage makeup tutorials on YouTube).



What do you think, readers?  Do you agree that styles are changing more slowly?  How much of your wardrobe could you have worn twenty years ago without raising an eyebrow?

(Alternatively, how much of your wardrobe is more than twenty years old and still looks perfectly in style?)

Is this so-called style rut a problem -- or a blessing?

Jump in!

Read More
Posted in clothing and culture | No comments

Thursday, December 22, 2011

Joy to the World, the Pants are Done!

Posted on 12:20 PM by dvdsvdsdv


Friends, I certainly hope viewing this pic isn't putting anyone's job in jeopardy.  But I just finished my cherry leopard stretch denim pants and I am ready to rap, or whatever one does, shirtless, in leopard pants.  Actually, I'm listening to my lovely Concert, Theater & Parlor Songs of John Philip Sousa CD.  Weird, right?

I love these pants: they're funky, yet cut like ordinary straight-leg jeans.  Here's the more conservative look, relatively speaking.  Hope this doesn't give you a pattern-induced headache.



Here's the rear, for those who wonder about such things.  I'm not sure leopard is doing me any favors back there, frankly.



These pants turned out much better than I'd expected, though I did have a few challenges.  I put a hook and eye in the waistband, which went in without a problem.



But I also added a 1" waistband extension on which I'd hoped to put a buttohole, only my vintage Singer buttonholer doesn't want to do it -- I guess the fabric, which has heavy waistband interfacing inside, is just too thick.



I'll either stitch on the flimsier type of hook and eye or make a buttonhole by hand, which I've never done before but would be open to trying.  Either way, the whole area is under a belt and therefore not visible, plus the original tailor-type hook and eye securely closes the pants.

Since the fabric stretches width-wise, I serged twill tape onto the top of the pockets before turning them under.



Normally the top of the pocket would be turned under twice, but the fabric is too thick and stretchy for that.  Finished this way, I could turn them under only once.  I then topstiched along the top, and the twill tape cut down on the horizontal stretching.



The back pockets went on without a problem.  I used my Singer 201 for all the topstitching (using heavy topstitching thread from Sil Thread) and my Featherweight for most other seams.





I used commercial waistbanding inside the waistband as interfacing, since I really wanted the waistband to be sturdy and I had some lying around.  It worked well, though it may be the reason I can't make a buttonhole through the waistband extension.



BTW, all my flat-felled seams are faux.  Spongy, stretchy fabric and true flat-felled seams do not mix.  I just serged my seam allowances and topstitched from the outside twice.  You'd never know that difference.

Even though they're basically jeans, I hemmed by hand because I didn't want the width-wise stretch to create ripples or waves in the hem -- do you know what I mean?  Before I hemmed, I stitched twill tape to the hem edge.



And that's it!  I am happy to be done and excited about working these pants into my wardrobe, though my burgundy and black saddle shoes won't be here till next week, sadly.

In closing, indulgent readers, are you ready to take the leopard plunge?  Predator preppy is so going to happen in 2012, I just know it.

Have a great day, everybody!

Read More
Posted in completed projects, mens jeans, mens pants | No comments

Wednesday, December 21, 2011

Leopard Pants Progress!

Posted on 8:05 AM by dvdsvdsdv


Readers, the pants are coming along.  For you jumpsuit fans -- what can I say?  Maybe next time.  I really don't wear jumpsuits, to be honest.  I don't jump much.

A few strange things about this fabric -- other than the wacky print -- worth mentioning.  The stretch is on the warp (i.e., parallel to the selvage) rather than the weft, so I cut the pants legs perpendicular to the selvage, rather than parallel.  Otherwise the pants would have stretched in length but not in width, which would have been funky, don't you think?  The only visible grain is the weft as well.

So far, it seems  to be working; we'll see what the result is like.

I made the pockets out of a vintage striped cotton I picked up at the flea market recently (along with the print fabric that became Michael's short-sleeve shirt).





Now, I must say that cut, this cherry leopard print looks much less overwhelming, and I'm starting to really like it, even if it was probably intended for a thirteen-year-old girl. 



Plus -- how's this for spooky coincidences? -- it just happens to go with my recently purchased (used on eBay) Allen Edmonds shoes!



I call the look Predator Preppy!  (Or does that sound too much like Anthony Perkins in Psycho?)


And speaking of preppy, would you spend $75 on this book?


I saw Hollywood and the Ivy Look in the window of a neighborhood bookstore and was intrigued, but I think I will be limiting myself to the book's blog.  I'm over expensive coffee table books.  I don't even have a coffee table. 

Friends, it is time for me to make my back pockets.  With luck, I will be able to finish these today. 



Honestly, do you think these pants are more predator preppy.... 

...or Cheetah Girls?


Happy sewing, everybody!
Read More
Posted in mens pants, works in progress | No comments

Tuesday, December 20, 2011

MPB Second Annual "Leopard for the Holidays!"

Posted on 8:06 AM by dvdsvdsdv


Friends, do you remember the leopard print pants I made at precisely this time last year?  Oh, if I had a dollar for every time some stranger emailed me asking if I would make them a pair of these pants, I'd have enough to buy a large coffee from Starbucks with muffin!

Well, I was fabric shopping/wandering aimlessly in the Garment District yesterday, and at my new favorite craptastic fabric store, Nahir (renown for its grumpy owner, lousy service, and unpredictable prices), I found this stretch denim leopard print -- in a vivid cherry overdye -- for just $2.99/yd (from a 60" bolt)!



Now you might be wondering why, with all the wonderful fabric stores at my disposal, I should frequent a place like Nahir.  Friends, I can't explain it; I like a challenge, I guess. What's the fun of going to a place like B&J and finding exactly what you're looking for?  You'd never be looking for cherry stretch denim leopard print in the first place, so you'd never find it.  Do you know what I mean?



Wait -- could this be cheetah? 

For me, fabric this loud and (let's face it) tacky has strong associations, none of which I will share with you.  But if you told me it was a remnant from the Material Girl line at Macy's or something that fell off the Forever 21 delivery truck, I wouldn't be at all surprised.



That said, it's fun, and the price was right.  So today I'm deciding what to do with it.  I'm leaning toward jeans, but I don't know...maybe it calls for something wilder, like a hooded jumpsuit!

In any case, as you can see, this is the week of the mindless sewing project.  Nothing of substance till 2012 -- though you never know when inspiration will strike.

Speaking of inspiration, I bit the bullet and bought this Simplicity dance hall girl pattern.  It has some cool elements I think will be useful down the line, even if I never do an homage to Angela Lansbury in The Harvey Girls.
. 



Friends, that's all for today.   If you have strong feelings pro or con about a man in leopard print stretch jeans, please let me know.  I think, paired with a simple white dress shirt, it could work.  Or no shirt at all.


Happy Tuesday, everybody!
Read More
Posted in fabric, project planning | No comments

Sunday, December 18, 2011

Whither the Chorus Girl? + ASSIGNMENT

Posted on 12:41 PM by dvdsvdsdv

Friends, to say that the chorus girl was a popular stock character in old Hollywood movies (by which I mean the pre-Sixties studio days) is to state the obvious.  But have you ever wondered whatever happened to her?  Look around: she's nowhere to be found.


Showgirls, chorus girls, burlesque queens -- how many thousands of them danced across the screen in the golden days of Hollywood?  They all had one thing in common: curves.  The chorus girl represented sex, pure and simple, in the days when graphic sexuality wasn't just a mouse click away.



While there were chorus girls even back in the silent era, it really took sound to put the movie chorus girl front and center. With sound came the movie musical, and musicals started out as little more than an excuse to display beautiful, leggy young women in skimpy costumes.  Later, when "book" musicals became popular (whose songs were integral to the plot) movies that took place in a show business milieu grew scarcer, and we didn't really need quite so many chorus girls.  There weren't any in Gigi but there were plenty in backstagers like Forty-Second Street or Ziegfeld Girl.


Nearly every actress with the exception of Marjorie Main ended up cast as a showgirl at one time or other, even actresses better known for dramatic roles, like Barbara Stanwyck (in Ball of Fire) or Joan Crawford (in Dancing Lady or Flamingo Road).


The showgirl story usually told the tale of a poor girl getting plucked from obscurity (Rita Hayworth in Cover Girl), or rubbing up against social class distinctions (Ginger Rogers in Vivacious Lady), or both. Naturally, there were plenty of musical numbers thrown in just to keep it real.

Showgirls and chorus girls were beloved, not only because they were glamorous and sexy, but also because, like most movie audiences, they were working class -- invariably from Brooklyn or the Barbary Coast or Tenth Avenue or some other location associated with "low-down" living.  Showgirls were "good" and showgirls were "bad" but there's no question they were everywhere, especially during World War II, when leggy stars like Grable and Hayworth were at their peak of popularity.


Movies that revolved around chorus girls allowed Hollywood costume designers like William Travilla, Jean Louis, Orry Kelly, Irene Sharaff, Adrian and so many others, to indulge their wildest showbiz fantasies in sequins, feathers, fur, lace -- the works -- though sometimes there was dangerously little of these on display!



After the major studios broke up in the Nineteen-Fifties, there was television, and well into the Eighties designers like Bob Mackie were still creating spectacular showgirl creations for musical variety shows starring Mitzi Gaynor, Cher, or Ann-Margret -- the last of the true "showgirl" types.


Today we still have shows (on Broadway, in Vegas) and occasionally there's still a chorus of "girls," but the chorus girl as pop culture icon is as dated a type as the screwball heiress, the shopgirl Cinderella, and the teenage soprano.

Sadly, for the home sewer, there never were any commerical chorus girl or showgirl-type patterns, even back in the Nineteen-Forties.  A few costume patterns can be found for the occasional community theater production of Annie Get Your Gun or Best Little Whorehouse in Texas, but that's about it.  It's a little sad, really.



What or who killed the chorus girl?  So many things, readers!  Before she died as a film icon, the chorus girl had faded away in real life.  The popularity of television meant that more people were staying home rather than seeking out the nightclubs, stage shows, and burlesque venues that gave work to so many showgirls.  (This echoes what happened to theater when motion pictures became popular decades earlier, and it's not a coincidence that so many movie musicals took place in the Gay Nineties or early decades of the Twentieth Century when most forms of entertainment were live.)


A slow loosening of censorship after WWII and more openness about sexuality in American culture meant that men could get their share of scantily clad ladies on the pages of Playboy or in porno theaters -- they didn't have to sit through The Dolly Sisters, waiting for Betty Grable to show a little leg.  Today, when images of graphic sexuality are a keyboard click away, a low-cut bodice or tightly fitted dance costume may be alluring, but it's not the stuff of most contemporary straight male fantasies.  A "burlesque" performer like Dita Von Teese is a sentimental throwback to an earlier era, but it's more homage than a true resurrection, even if it's meant to elicit a frisson.  Judging by what I read on the vintage sewing blogs, performers like Dita Von Teese are more of interest to straight women of an intellectual bent than to men.

Dita Von Teese

Finally, the Pill meant that there were flesh-and-blood women to engage with, rather than just a celluloid or print fantasy.

Meanwhile, in the movies, films like the much-hyped Christina Aguilera vehicle Burlesque or the infamous cult classic Showgirls have ended up feeling dated, exploitative, or just plain embarrassing. 


We're about as far from the risque charms of Gold Diggers of 1933 as we could be.  Joan Blondell never gave a lap dance and Marilyn Monroe never licked a pole.

Finally, the demise of the showgirl reflects a culture in which it is no longer officially acceptable to objectify women.  Most women don't want to be considered objects and would probably judge the role of the showgirl as she was depicted in movies of the past to be demeaning.  We don't "glorify the American girl" anymore, even if we still have beauty pageants and the leggy-but-wholesome Rockettes.

 


Lindsay Lohan may be in this month's Playboy, in an homage to Marilyn, but the whole thing feels forced and joyless.


I had the privilege of watching a most fascinating film about chorus girls last night, Ladies of the Chorus from 1948.  Cheaply made and just one hour long, it's nevertheless fascinating, hilarious, and highly entertaining, not the least because it's Marilyn Monroe's first starring role and we get to see her before she'd developed her dumb blonde persona.  Here she seems like a normal young woman, or as normal as a woman can be playing a character who's the "Queen of Burlesque."

The entire film can be viewed on YouTube, and if you have an hour to spare today, please do take a look, if only to hear such hilarious showgirl pearls as "Why you gray-haired old hag, shut your mouth or I'll slap it shut!" and "I'm quittin' -- this turkey can fold for all I care!"  

Your assignment, friends, is to watch Ladies of the Chorus (it's in roughly seven parts) and report back.  Anything seem strange about this film, which occasionally has the feel of a high school health film and the production values to match?  

What do you think of Marilyn, or "old hag" Adele Jergens, the woman who plays her mother (Jergens was just nine years older than Marilyn)?


In closing, do you have a favorite film featuring or focused on chorus girls?  Do you find the chorus girl/showgirl of yore entertaining, demeaning, or a little of both!

Ever sewn a chorus girl outfit -- or wanted to?

Jump in!


Read More
Posted in mens patterns, movies, video, women I love | No comments
Newer Posts Older Posts Home
Subscribe to: Posts (Atom)

Popular Posts

  • MPB Men's Boxers Sew-Along 3 -- Let's Start Sewing!
    Good morning, Sew-Alongers and others eager to learn how to make boxers.  Today we are going to start sewing!  Yesterday I neglected to ment...
  • Positively the (next to) LAST faux fur coat post!
    Friends, they say all good things must come to an end, but honestly, I could keep working on this coat forever.  And not because it's su...
  • Requisite Halloween Post
    I don't think it's too early, do you? I recognize Halloween is a subject of relevance only to Americans (or so I believe); my apol...
  • Men's toggle coat - cutting fabric, purchasing notions, etc.
    And off we go! Friends, the toggle coat project is moving along.  Yesterday I made my pattern adjustments (basically just taking 4" wid...
  • Elusive interfacing consensus + GAP shirt inspection!
    Readers, I have concluded that the subject of fusible interfacing is a perfect metaphor for life itself: we all have our ways of being/doin...
  • Happiness is a New Sewing Machine
    Wait, have I used that title before? Readers, there are two kinds of sewing machine purchases: the kind where the thing you're most exci...
  • Positively the LAST decluttering post
    Brace yourself, friends, my notable Necchi is no more.  She won't be picked up till next week but I have a deposit.  How exciting is tha...
  • Can you see my butt crack?
    Readers, today I'm going to challenge your sense of decorum and tolerance.  The easily offended might want to come back tomorrow. Oh wis...
  • The Last Toggle Post
    Dear readers, a million thanks for yesterday's comments.  I think we're all going to enjoy wearing this coat and don't think I...
  • Glitzy Fabrics and the Sewing Headache
    Readers, I am happy to announce that the top (I'm calling it a jacket) that goes with my Halston-inspired outfit, Simplicity 7295, is al...

Categories

  • 20s glamour
  • 30s glamour
  • 40s glamour
  • 50s glamour
  • 60s glamour
  • 70s
  • age and aging
  • beauty
  • body art
  • books
  • button loops
  • Cathy
  • clothing and culture
  • completed projects
  • contests
  • crinoline
  • Daily Ditch (The)
  • decluttering
  • dime store psychology
  • dogs
  • dolls
  • Doris Day
  • fabric
  • fashion show
  • faux fur
  • flea market
  • Ginger Rogers
  • Guy week
  • Hats
  • interfacing
  • ironing
  • Jeans Sew-Along
  • Kenmore 158.1040
  • makeovers
  • Men's Boxers Sew-Along
  • men's fit issues
  • Men's Shirt Sew-Along
  • mens bathing suit
  • mens fashion
  • mens grooming
  • mens jeans
  • mens pajamas
  • mens pants
  • mens patterns
  • mens shirt
  • mens suit
  • mens toggle coat
  • mens underwear
  • mens western jacket
  • modeling
  • mothers
  • movies
  • MPB Day
  • my life
  • pattern drafting
  • patterns
  • Peter on video
  • Pfaff 30
  • project planning
  • sergers
  • sewing and culture
  • sewing basics
  • sewing machines
  • Shoes
  • shopping
  • singer 15-90
  • Singer 15-91
  • Singer 201
  • Singer 66
  • Singer 99K
  • Singer Featherweight
  • Singer treadle
  • topstitching
  • video
  • women I love
  • works in progress
  • YEA or NAY?

Blog Archive

  • ▼  2012 (35)
    • ▼  February (16)
      • Positively the (next to) LAST faux fur coat post!
      • Pocket Love + Don't Call Me!
      • MPB Valentine's Day Wishes!
      • "Bling-a-Ding-Ding" - Faux Fur Coat Update!
      • Fervently fighting faux fur fatigue!
      • Further Fur Coat Adventures!
      • 70's Faux Fur Coat MUSLIN + Tools at the ready!
      • Faux Fur Fabric Haul and MORE!
      • The Coat Project: friend or faux?
      • Random Thoughts about Seventies Coats
      • Glitzy Fabrics and the Sewing Headache
      • Men in their Underwear
      • Glitzy Halston-inspired outfit UPDATE!
      • Puttin' on the Glitz!
      • Farewell, Pfaff 30, etc.
      • Valentine's Day Sewing -- YEA or NAY?
    • ►  January (19)
  • ►  2011 (313)
    • ►  December (24)
    • ►  November (25)
    • ►  October (20)
    • ►  September (29)
    • ►  August (21)
    • ►  July (24)
    • ►  June (22)
    • ►  May (30)
    • ►  April (28)
    • ►  March (31)
    • ►  February (28)
    • ►  January (31)
  • ►  2010 (152)
    • ►  December (30)
    • ►  November (27)
    • ►  October (31)
    • ►  September (30)
    • ►  August (23)
    • ►  July (11)
Powered by Blogger.

About Me

dvdsvdsdv
View my complete profile